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White Collar -- TV Review
By Randee Dawn, October 20, 2009 04:28 ET
"White Collar"
Bottom Line: Worth sticking your neck out for.
Suckers for deft displays of dialogue embedded in sharp, stylish crime dramas would naturally divine that USA's new series "White Collar" would provide at least a sold hour of interesting drama. And "Collar" is certainly that: This is a show so attuned to production design that prison cell interiors have low-hanging bare incandescent bulbs, all the better for smashing in anger.

So, it looks good. But enter the dialogue -- say, in a scene that starts out with a flirty comment about dancing and dating that leads to the outing of an FBI agent and the evolution into a clip about gays in the Bureau, followed by this riposte: "We don't ask, we don't care."

That's how "Collar" will hook you.

On the surface, it seems like 10 other such crime dramas out there: cool natural light, glass walls, sensible protagonist in agent Peter Stokes (Tim DeKay), who's paired with his exact opposite in sleek, sly pretty boy Neal Caffrey (Matt Bomer), a failed escapee Stokes spent three years chasing. Before you can say "48 HRS.," Caffrey is enlisted to help solve crimes under the watchful eye of Stokes -- and a GPS tracking device.

So far so familiar. But buried in the premise is a crisp script and "Dragnet"-with-humor repartee between the two winning leads, backed up by an excellent support cast. Stokes and Caffrey have immediate chemistry, and it's a pleasure to see two smart, resourceful, equally matched characters go up against each other, both trying to be the cleverest guy in the room. This is a show packed with smart people who make things happen and, even when following a predictable forgery crime -- one that shoots off into interesting side alleys -- always are one step ahead of viewers' expectations.

Creator Jeff Eastin already has had two bites at the showrunning apple: 1999's "Shasta McNasty" and 2004's "Hawaii," both short-lived and unmemorable. But the third time seems to be the charm, and Eastin has set a high bar with the premiere. But making this series last is a caper that he and his able-bodied cast and writers should be able to pull off. It'd be criminal if they couldn't.

Airdate: 10-11 p.m. Friday, Oct. 23 (USA)
Production: Fox Television Studios
Cast: Matt Bomer, Tim DeKay, Tiffani Thiessen, Willie Garson, Natalie Morales, Diahann Carroll
Executive producers: Jeff Eastin
Creator-writer: Jeff Eastin
Co-executive producers: Jeff King, Clifton Campbell
Consulting producer: Tom Garrigus
Supervising producer: Joan Binder Weiss
Producers: Don Kurt, Margo Myers
Director: Bronwen Hughes
Director of photography: Russell Fine
Production designer: Lester Cohen
Costume designer: Stephanie Maslansky
Casting: Gayle Pillsbury, Julie Tucker, Ross Meyerson

White Collar -- TV Review
By Randee Dawn, October 20, 2009 04:28 ET
"White Collar"
Bottom Line: Worth sticking your neck out for.
Suckers for deft displays of dialogue embedded in sharp, stylish crime dramas would naturally divine that USA's new series "White Collar" would provide at least a sold hour of interesting drama. And "Collar" is certainly that: This is a show so attuned to production design that prison cell interiors have low-hanging bare incandescent bulbs, all the better for smashing in anger.

So, it looks good. But enter the dialogue -- say, in a scene that starts out with a flirty comment about dancing and dating that leads to the outing of an FBI agent and the evolution into a clip about gays in the Bureau, followed by this riposte: "We don't ask, we don't care."

That's how "Collar" will hook you.

On the surface, it seems like 10 other such crime dramas out there: cool natural light, glass walls, sensible protagonist in agent Peter Stokes (Tim DeKay), who's paired with his exact opposite in sleek, sly pretty boy Neal Caffrey (Matt Bomer), a failed escapee Stokes spent three years chasing. Before you can say "48 HRS.," Caffrey is enlisted to help solve crimes under the watchful eye of Stokes -- and a GPS tracking device.

So far so familiar. But buried in the premise is a crisp script and "Dragnet"-with-humor repartee between the two winning leads, backed up by an excellent support cast. Stokes and Caffrey have immediate chemistry, and it's a pleasure to see two smart, resourceful, equally matched characters go up against each other, both trying to be the cleverest guy in the room. This is a show packed with smart people who make things happen and, even when following a predictable forgery crime -- one that shoots off into interesting side alleys -- always are one step ahead of viewers' expectations.

Creator Jeff Eastin already has had two bites at the showrunning apple: 1999's "Shasta McNasty" and 2004's "Hawaii," both short-lived and unmemorable. But the third time seems to be the charm, and Eastin has set a high bar with the premiere. But making this series last is a caper that he and his able-bodied cast and writers should be able to pull off. It'd be criminal if they couldn't.

Airdate: 10-11 p.m. Friday, Oct. 23 (USA)
Production: Fox Television Studios
Cast: Matt Bomer, Tim DeKay, Tiffani Thiessen, Willie Garson, Natalie Morales, Diahann Carroll
Executive producers: Jeff Eastin
Creator-writer: Jeff Eastin
Co-executive producers: Jeff King, Clifton Campbell
Consulting producer: Tom Garrigus
Supervising producer: Joan Binder Weiss
Producers: Don Kurt, Margo Myers
Director: Bronwen Hughes
Director of photography: Russell Fine
Production designer: Lester Cohen
Costume designer: Stephanie Maslansky
Casting: Gayle Pillsbury, Julie Tucker, Ross Meyerson
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