Lopez Tonight -- TV Review
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You can't go home again, as they say. But no matter what century it is, that maxim does not apply to 4616 Melrose Place.
You'd be hard-pressed to find an easier, breezier hour of TV time worth spending than with "Project Runway": Pretty, skinny things in outrageous architectural cloth concoctions, stressed and weeping designers and dapper Tim Gunn there to make it all work.
Even with all the loose ends left dangling in the finale last year, is there a "Mad Men" fan that believes the Season 3 premiere is going to tie each and every one of them up in pretty bows?
Brisk, sharp and surprisingly emotional for what essentially is a series of venture-capital-investment interviews, "Shark Tank" balances the human element of its wish-fulfilling conceit with at least the illusion of the business legitimacy that made Mark Burnett's "The Apprentice" such campy fun.
It's a safe bet that when reality TV impresario Mike Fleiss designed his latest trap for human lab rats, he didn't consult the work of poet Robert Frost. If he had, he might have stumbled across Frost's warning that "Something there is that doesn't love a wall."
In 2002, USA Network was on a sci-fi track with the successful launch of its first original series, "The Dead Zone," when "Monk" came along.
"Dark" is an interesting idea with a refreshing lack of bombast and fakery that propels so many reality shows: The participants are clean-cut, pleasantly attractive regular folks (though one has a Jude Law aura).
Michael Ian Black and Michael Showalter, they of the deadpan expressions and boy-man personas, are two great near-misses in modern American comedy.
Sure, it's called "Miami Social," but don't be fooled -- these are not people from our planet.
"Diva" has a crisp, lively "Ugly Betty"-style sense of humor, and the tone effectively balances the loss of self while trying to assimilate in a foreign land -- Fatstania.
TNT's "Dark Blue" looks good. But "Blue" is a confusing mix of cliche and posturing that seems more interested in framing a shot than telling a story.
In SyFy's "Warehouse 13," two Secret Service agents (ambitious, sugar-free Myka Bering and lantern-jawed, "vibe-feeling" Pete Lattimer) are transferred to South Dakota after saving the president from a glowing, bleeding Aztec headpiece.
About 400 years on, Shakespeare comes to this: high school antics drawn with intermittent charm -- in crayon.
The basic concept -- that these two entrepreneurs can make a bundle pimping Drecker out because he's a big man down below -- is ludicrous beyond sitcom and scientific standards.
In NBC's new scripted series "The Philanthropist," billionaire Teddy Rist is in crisis and after the fortuitous rescue of an African child, his world view is upended. Suddenly, he's going to do more than tithe his company's riches to needy charities -- he's going to get involved.
NBC's "Merlin" revolves around the future King Arthur's trusty sorcerer, upending nearly every convention of Arthurian legend in the process: King Uther lives in Camelot and oversees his callow young son's development; magic has been banned from the kingdom; and the last remaining dragon is chained up in a cave under the castle.
"Hawthorne" is -- despite at last placing the no-nonsense Jada Pinkett Smith in a well-deserved topliner slot -- a fairly standard hospital drama told from the point of view of the nurses.
When reality TV producer Mark Burnett steps up into the wedding fray, stand back. With TNT's "Wedding Day," he has fashioned a match made in heaven: a well-plotted "Extreme Makeover: Wedding Edition" for one lucky couple, who each week receive the wedding of their dreams.
"The Listener" is a serviceable supernatural drama with legitimate narrative potential that's undercut by its visually bland presentation and geographically nonspecific execution.
Comedy Central's "Tosh.0," a weekly clip show devoted to viral videos, plays like a weird hybrid of "America's Funniest Home Videos" and "The Soup," but it succeeds on the strength of host Daniel Tosh.
"Tonight" is bigger than Conan O'Brien, which means he's got to conform to expectations -- while simultaneously trying to give it his imprimatur. After one show, let's say he's a work in progress.
Jay Leno's final "Tonight Show" week was a carefully orchestrated blend of favorite guests and classic bits. All he had to do on the final show was shake hands with his successor, Conan O'Brien, tie up a few loose ends, and go home.
Spike's "Jesse James Is a Dead Man" is probably the most boring show ever made about a guy trying to kill himself.
Watching the CW's "Hitched or Ditched" is a brutal experience.
Only a curmudgeon of the highest order would find anything bad to say about HBO's four-part series "The Alzheimer's Project."
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