Alice Cooper -- Concert Review
Full Story »
The lyrics of up-and-comer Angel Taylor's new single are striking in their assertion of conflicted desire—they may not be edgy, but at least they feel honest.
Timbaland is nearing the release of the second installment in his "Shock Value" series, and from the sounds of the first single, "Morning After Dark," the producer is back in stride.
On "Music for Men," the Gossip's devotion to being itself has finally found it a place in the mainstream.
Due Nov. 17, Norah Jones' fourth studio album, "The Fall," will incorporate more rhythm and guitar, both of which are introduced with subtlety and care on the album's first single.
Lou Barlow's latest release, "Goodnight Unknown," incorporates the aggressive guitar, angst-ridden lyrics and low-fi sensibilities of his other bands (Dinosaur Jr. and Sebadoh), while maintaining the sweet sophistication of his 2005 solo release, "Emoh."
On his latest release, "Shafiq En' A-Free-Ka," Husayn continues the sonic innovation, culling from influences as diverse as Afrobeat and drum'n'bass and bearing traces of Timbaland (the reggae-tinged track "Nirvana") and André 3000 (the psychedelic "Major Heavy").
Fat Joe's lyrical flow has never been groundbreaking, but on his ninth studio album, "Jealous Ones Still Envy (J.O.S.E. 2)," the Bronx-bred rapper again proves that he's got a knack for infectious beats.
Devendra Banhart's major-label debut, "What Will We Be," is intimate, experimental, and ultimately accessible.
The set's title track evokes the primal pain and loneliness of George Jones during his Billy Sherrill-produced '70s heyday, while Merle Haggard's influence is displayed on the bone-chilling "This Bed's Too Big."
On their first album in five years, the Norwegian duo Eirik BØe and Erlend Øye—who record under the name Kings of Convenience—have returned with more atmospheric folk-pop to soothe the soul.
Although U2's playing was typically superb, Sunday's show is unlikely to be remembered among its Southland best.
There aren't any chart-topping guests on the new release from Oakland, Calif., hip-hop pioneer Del the Funky Homosapien and New Jersey underground stalwart Tame One.
The Bravery rode a wave of synthesizers and droning vocals to success in 2005, and the band's lead single from its upcoming third album, "Stir the Blood," is true to that blueprint.
Years removed from their teen-pop prominence, Backstreet Boys continue to produce pleasurable hooks and hummable vocal harmonies on "This Is Us," the group's seventh studio album and second as a foursome.
Justin Bieber continues to croon his way into the hearts of tween girls everywhere with his sugary second single, "One Less Lonely Girl." Much as he did on his debut single, "One Time," Bieber makes a strong case for why he's the next pop/R&B heartthrob.
Reuniting after 15 years, BeBe & CeCe Winans offer definitive proof that things do indeed get better with time.
Juvenile is a pioneer in his own right. The New Orleans rapper enjoyed a slew of Southern bounce hits years before Lil Wayne sold his first millions.
Only Timbaland could corral a guest list more impressive (or more eclectic) than the one on Dutch producer/DJ Tiësto's new studio album, "Kaleidoscope."
Four years after his last studio album, one of Latin urban music's truly original artists shines once again.
The girl-group sound has always been about just that—the sound and its evolution, rather than a strictly distaff conceit (think Blondie and Holly & the Italians in the '70s and '80s, Transvision Vamp and the Primitives in the '90s and Yeah Yeah Yeahs and the Raveonettes today).
"Children by the millions/Worship Alex Chilton," so goes the Replacements song, but only thousands know about Chris Bell, his bandmate in Big Star's first incarnation.
Singer/songwriter N'Dambi has been a darling of the indie-soul movement since the release of her 1999 debut, "Little Lost Girls Blues." With the arrival of her major-label debut, "Pink Elephant," the mainstream audience can finally hear her gut-rousing brand of soul.
On his first officially released track since his February altercation with ex-girlfriend Rihanna, Chris Brown takes a break from performing community service to brag about his riches.
Building on a well-received EP and some low-budget, space-age videos, Canadian singer Valerie Poxleitner's new album comes on like a more accessible version of the current buzz-worthy wave of U.K. electronic artists including Little Boots and La Roux.
Easily the most soulful of today's young country crooners, Wayne delivers an earthy, sensual performance.
Advertisement








