EDITIONS:   US| Int’l | Asia | Print
Get THR Mobile Alerts        FREE Newsletters
Music Reviews
Producer: Paul Stacey
September 12, 2009 12:00 ET
It took the Black Crowes seven years to release last year's "Warpaint," but now that the Robinson brothers are back in the studio album business, they're making up for lost time. Fans who buy "Before the Frost . . ." will receive a digital password entitling them to a free download of the companion album ". . . Until the Freeze." Both sets were recorded before a live audience at Levon Helm's Woodstock, N.Y., compound and the sound of applause punctuates many tracks, reminding listeners of the fans' presence when the crisp arrangements don't. The material spans the Crowes' usual blues-rock spectrum—the opener, "Good Morning Captain," rides a roadhouse-worthy slide-guitar groove, while gorgeous harmonies enrich a cover of the Stephen Stills/ Chris Hillman gem "So Many Times." But one highlight, "I Ain't Hiding," suggests that the band's Rolling Stones worship has reached a new level: It's an unlikely disco-boogie jam a la "Miss You."—Mikael Wood
Producer: Paul Stacey
September 12, 2009 12:00 ET
It took the Black Crowes seven years to release last year's "Warpaint," but now that the Robinson brothers are back in the studio album business, they're making up for lost time. Fans who buy "Before the Frost . . ." will receive a digital password entitling them to a free download of the companion album ". . . Until the Freeze." Both sets were recorded before a live audience at Levon Helm's Woodstock, N.Y., compound and the sound of applause punctuates many tracks, reminding listeners of the fans' presence when the crisp arrangements don't. The material spans the Crowes' usual blues-rock spectrum—the opener, "Good Morning Captain," rides a roadhouse-worthy slide-guitar groove, while gorgeous harmonies enrich a cover of the Stephen Stills/ Chris Hillman gem "So Many Times." But one highlight, "I Ain't Hiding," suggests that the band's Rolling Stones worship has reached a new level: It's an unlikely disco-boogie jam a la "Miss You."—Mikael Wood
1 of 1 Pages
1
The Billboard Hot 100
Issue Date: 2010-03-13
This Week Last Week Title, Artist
Imprint | Catalog No. | Distributing Label
Peak
Position
Weeks
on
Chart
1 1 Imma Be, The Black Eyed Peas 
Interscope DIGITAL |
1 13
2 3 BedRock, Young Money Featuring Lloyd 
Cash Money DIGITAL | Universal Motown |
2 14
3 5 Need You Now, Lady Antebellum  2
Capitol Nashville/Capitol DIGITAL |
3 29
4 2 TiK ToK, Ke$ha 
Kemosabe/RCA DIGITAL | RMG |
1 21
5 4 Bad Romance, Lady Gaga 
Streamline/KonLive/Cherrytree 013969* | Interscope |
2 18
Source: Billboard View Full Chart »
 


Post a Comment
Asterisk (*) is a required field.
* Username: 
Rate This Article: (1=Bad, 5=Perfect)

*Comment:
Videos
THR on DIGG
Music Reviews
Albums Reviews
  • Scratch My Back
    Peter Gabriel apparently, doesn't want to be your "Sledgehammer" anymore.
  • Hands
    Nearly nine months following the U.K.
  • Hillbilly Bones
    Blake Shelton's new six-song album, "Hillbilly Bone," may be a marketing and sales experiment by Warner Bros. Records, but fans of the Oklahoman artist won't be disappointed.
Singles Reviews
  • Give Me a Sign (Forever and Ever)
    Breaking Benjamin follows the thrashing urgency of "I Will Not Bow" with a potent scourge of a rock ballad in "Give Me a Sign (Forever and Ever)."
  • Break Your Heart
    London-based singer Taio Cruz's first single, "Break Your Heart," debuted at No. 1 on the U.K. singles chart without any gimmicks.
  • Speedin'
    Omarion may have been booted from Lil Wayne's Young Money crew, but with his second single the R&B crooner proves his relevancy on his own merit.
Concerts Reviews
  • The Music of the Who -- Concert Review
    Producer Michael Dorf's annual tributes to musical legends have become a highlight of the New York concert scene, and this show saluting "The Music of the Who" was no exception.
  • Dreamgirls -- Theater Review
    Any staging of the musical "Dreamgirls" has a lot of history to contend with. The current revival, playing a limited run at the Apollo Theater before beginning a national tour and a possible return to Broadway, is unlikely to erase anyone's memories.
  • Alice Cooper -- Concert Review
    Watching Alice Cooper onstage is like taking in a familiar movie. You know what's coming, but it's no less entertaining.