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Prine's songwriting is somewhat reflective of the character in his "Safety Joe," who avoids emotional extremes in favor of a life lived with "a seat belt around his heart."
Boredom is not a problem for Prine, but, like "Safety Joe," his material mined intelligence more directly than emotion, with the singer often using an observational, third-party viewpoint to portray a range of people, from the eccentric to the mundane.
Prine delivered his tales conversationally, almost as a matter-of-fact narrator, whether presenting a bloody corpse on a sidewalk, a husband trying to de-stress or a wife battling resignation and depression.
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